![]() ![]() |
|||
|
![]() ![]() Welcome to our News Page, where regular updates will keep you informed about forthcoming events, recent developments, and other LFA news that may be of interest.
A CASE IN POINTA voice on the phone, clearly somewhat aggrieved: ‘I donated a film to the Archive months ago, but it still isn’t listed on your website. Wasn’t it any good?’ Sorry, but there’s always a time lag between the arrival of a film and its reappearance on the screen. Perhaps the following case history will help to explain why. We recently accessioned a collection of films that had been stored in a garden shed. Rust and corrosion from the spools and cans had contaminated the films themselves, which needed extensive cleaning. Many of the joins were weak and poorly made, with previous breaks crudely sellotaped together, so a good deal of time had to be spent on repairs. Worse still, when some of the cans were opened, the strong acetic smell alerted us to the type of decay known as vinegar syndrome, which can affect safety film, causing it to warp so severely that the image cannot be kept in focus. Eventually the film shrivels up and disintegrates, so this type of decay can be just as catastrophic as the more familiar problems affecting the old 35mm cellulose nitrate stock. Sadly, one film was already so badly affected that it couldn’t be saved. The others were at an earlier stage, so it was still possible to copy them. But this was far from straightforward, because the decaying rolls had to be carefully isolated and all equipment used for handling them thoroughly cleaned to prevent any cross-contamination. It’s a bit like nursing a patient infected with plague. Eventually, despite some focus problems, we were able to make the necessary telecine transfers. It’s always a relief when this stage has been accomplished, though a good deal of further work still remained to be done. Going through the transfers scene by scene, applying corrections, and deleting the blurred frames which older cameras often created at scene changes, was a time-consuming business involving many days of careful and detailed work. It was also necessary to reconstruct some missing or badly damaged titles. Coming at the start of the film, these often get broken off and lost, or wrecked by inexpert projectionists. The overall improvement achieved was certainly worth the trouble, the only drawback being that the better the result, the less aware the audience will be that the work was ever done. Much the same can be said of sound tracks recorded on the old quarter inch magnetic tape. Some of the films had these, and although the tapes had survived, there was no longer any way of keeping them properly synchronised with the picture. So a good deal of juggling was required to achieve an acceptable match, with numerous small adjustments to be made, and then carefully disguised so that they passed unnoticed. Taken together, the cleaning and repairs, the transfers and the post-transfer tidying up can take weeks or even months of work, so please be patient. By the way, our spies tell us that some other regional film archives have backlogs of from two to twenty years! So maybe we’re not doing too badly after all.
ACCESSIONS
Archaeologists have welcomed a recently discovered film about the excavations made at Templars’ Field near Scunthorpe in the winter of 1983-4. The work was supervised by local museum curators, but all the other participants were volunteers. Though the finds turned out to be of limited significance, the film well illustrates the techniques and general procedures in use at the time.
By the end of December 2010, the overall number of titles accessioned by LFA had reached the 700 mark. But several more items are in the pipeline, and the total seems likely to keep on increasing month by month. As explained elsewhere, there is generally some delay before newly accessioned titles appear in our website catalogue, but by all means contact the archivist for details of recent acquisitions that haven’t yet left our workshops.
LINCOLNSHIRE: A CENTURY ON FILM
Volume One, The New Century, is already available. Written and narrated by Alan Stennett, it covers the century’s early years, with film dating back to as early as 1901. Grimsby trawlermen bringing home their catch; hats and dresses to die for – 1904 style; vintage motor cars and horse-drawn traffic in Lincoln; quarrymen working entirely by hand but proud of their steam-driven lorry; industry that led the world with products designed and built in
. |
|